![]() The fact that we as users need to make workarounds for the inefficiencies of new features shows how little development time has been given to these features vs. Like MN said, (apparently) no action to "Create New VCA Group" from selected tracks is kind of a bummer so maybe someone should do it in LUA or something.Ĭan you do that via LUA, create a new group and assign things to it? Recall group 1 selection, set them as VCA slaves. Free of influence, they now stand on their own with whatever changes the VCA masters had on them applied.Ĥ. Then those VCA slave tracks are removed from the VCA groups they were in. The result is that the VCA master(s) that had influence on the VCA slave tracks(remember there can be more than one if you like) will now apply their data to these VCA slaves. Select your VCA slave tracks you want to coalesce data to from the VCA masters, and run this action. Envelope: apply all VCAs to selected tracks and remove from VCA groups. ![]() The result is that whatever the VCA master did is now applied to the VCA slaves and you have a fresh VCA master to muck about with. Select your VCA master(s) and run this action to coalesce the stuff from the VCA master(s) in to the VCA slave(s). Envelope: apply all VCAs from selected tracks to grouped tracks and reset volume/pan/mute.the pan/width(or l/r pan) automation(if any).trim/read fader (that's a separate volume control from the automatable fader). ![]() But first, what does coalescing actually mean ?Ĭoalescing means what the VCA master does live during runtime is actually applied to the VCA slave tracks. How to coalesce the VCA settings and automation in to the VCA slave tracksĪs of Reaper 5.0 rc3, there are two actions for this. VCAs are intended to facilitate additive control of many tracks with just one(or more if you like).Ĥ. Trimming stuff without touching a hair on the slave track controls or its automation.Keep in mind that you can have multiple VCA masters in a group, and slave tracks can belong to more than one group.Īutomate the mutes on the slaves, but don't automate the VCA mute to make it really easy to just mute stuff quickly to audition just the guitars, vocals and/or anything else. Ride different track groups of a mix with automatable faders (normal groups ignore the automation completely!!).Finetune what goes in to a bus compressor with one fader.Here are some ways to use this in music mixing. You can even change that with the VCA re-fx slave checkbox in the group matrix or track group properties, and have the influence of the VCA master be applied before the FX. The VCA master thus affects VCA slaves before the post-fader sends. VCA master faders add their volume/pan setting to that of the slaves. Resulting volume during playback for the VCA slave is thus -3.0 dB ( = 2.0 dB + (-5.0) dB )Īs you can see this is a very different relationship than when using a bus fader. This means the automation plays in to this relationship as well.Įxample: VCA Master is at +2.0 dB. The value from the master is added to the value of the slave at runtime. Width / Right channel pan (dual pan) (relationship: additive).Pan /Left channel pan (dual pan) (relationship: additive).The masters are an additional layer of control on the slaves, but only for ![]() Next is "What are they good for and how do get rid of them". The matrix will of course reflect whatever changes you make.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |